A monolith, hewn from high Carrara,
From a fault-ridden corner of the quarry
Hauled great distance by wagon, sledge and barge
And left, neglected, in the courtyard
Of questionable acquisition
And suspect value
A deep crevasse ran through the core
Where others sought to shape it
The artist takes the challenge
And claims the difficult commission
And shelters the rough slab in the studio
Where they observe each other, estimating
The chisel carves into hard white flesh
As the splinters precipitate
And dust descends
Choking and chafing
The stone is hacked and gouged
Precious pieces fall away
Within, taking shape, a living thing
That feels every cut, every tooth, every rasp
The entombed being winces at every blow
Yet yearns to be set free from its form
The artist labors, yet loves the creation
And continues despite the struggle
But the wounds are so deep
And the dust so blinding
That in time, neither can bear
The presence of the other
Finally, the fatal flaw is exposed
And all progress ended
For one more mallet-fall
Would break the marble in two
So the canvas is covered
Over the half-completed work
The artist, resigned, says it matters not
For you were never beautiful to me
....
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20 comments:
Well, I don't want this guy working on MY tombstone, but that was a nice poem!
David - there is beauty is everything, look for it.
Italy?
damn. I meant to also say this reminds me of a story I once heard abt some holy dude taking some soldier dude on a tour of a bldg.
Great work, Bug. 'Nuff said.
Zen: You planning on checking out soon?
Brat: Great advise. I'll try to follow it.
Tildy: It does kind of have an historical feel, doesn't it?
Winters: Thank you, sir. I always loved your poem about a subway encounter. It was beautiful.
"Finally, the fatal flaw is exposed"
and that is the moment of transcendance where art takes us beyond our tiny frailties.
lovely...
Tania: And love transcends fear. Or doesn't.
No--I just am a firm believer in pre-need funeral planning.
You beat inflation, plus you can write your own epitaph.
Zen: If you die now, you can save a bundle!
I see something here, Bug. Let me know what you think... more commonality, my Good Brother.
Lynn: Yes, it seems we are looking at this in a similar way.
I'm not sure why,
but when I read this I think of
my favourite poet and writer,
Margaret Atwood.
Have you read her?
Particularily Morning in the Burned House
Kat: I have read The Handmaid's Tale, which I loved. I have also seen her on Bill Moyers, a public television show. I was aware that she was a poet, before she was a novelist, I think. But that novel is like poetry at times.
Hope you liked it.
Bug - Love transcends fear if we choose to love someone who doesn't abuse us. Otherwise, love confirms fear.
And Bug - Its going to be alright - in fact, I take that back.
It IS alright. right now. right here. For those who can't feel that here, now, reassurance is essential. Like a light, it shines on the triggering events of our lives so we can do what we need to do with our circumstances to feel the benevolence of the universe.
Thanks for the reassurance. It means a lot to me.
xx
pinks
Tania: I think you are right, but I also think that fear can be just within each of us, and defeat the love without he other person really doing anything at all.
And thank you for your reassurance. It means a lot to me, too.
Things ARE okay. They will be more okay later. :-)
Buggy, I loved it!
PS. My favourite (of hers) is The Edible Woman. Dark humour that one is. And Alias Grace. It's got so many levels to it.
Kat: I'll check them both out. I've been meaning to, anyway.
:-)
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